(Op. 10, No. 12) by Frédéric Chopin (1810-1849), arranged for organ by Cameron Carpenter.
Except for the video of Jeanne Demessieux's Octaves (below), these video excerpts were originally webcast live from Trinity Wall Street, New York, NY, USA, on July 5, 2007 at the opening concert of the Conservatory Stars Organ Festival (honoring John Weaver), sponsored by Anchor-International Foundation, Richard Torrence, and Marshall Yaeger. Terry Rhonke directed, with assistance from Bettina Covo. Marshall & Ogletree Organ.
'OCTAVES'
No. 6, from Six Études, Op. 5 (1944), by Jeanne Demessieux.
From a live performance by Cameron Carpenter at Trinity Church Wall Street, New York, NY, USA, on October 31, 2007.
MEPHISTO WALTZ NO. 1: PART I
Composed 1859-62 by Franz Liszt (1811-1886), arranged for organ by Cameron Carpenter.
MEPHISTO WALTZ NO. 1: PART II
PERPETUAL MOTION FOR PEDALS ALONE
By Wilhelm Middelschulte (1863-1943).
THE STARS AND STRIPES FOREVER & VARIATIONS ON A THEME FROM BIZET'S 'CARMEN'
The Stars and Stripes Forever (1897), by John Philip Sousa (1854-1932), arranged for organ by Cameron Carpenter, incorporating material from the piano transcription by Vladimir Horowitz.
Variations on a Theme from Bizet's 'Carmen', by Vladimir Horowitz (1903-1989), reconstructed (and arranged for organ) by Cameron Carpenter, from various recordings of performances by the composer.
The Raiders' March (1981), byJohn Williams (b. 1932), arranged for organ by Cameron Carpenter.
Solitude, by Duke Ellington (1899-1974), arranged by Cameron Carpenter as an interpolation into Blithe Bells (1911) by Percy Grainger (1882-1961) - itself a setting of Sheep May Safely Graze from Cantata No. 208 by Johann Sebastian Bach (1685-1750).
PRELUDE AND FUGUE IN B MAJOR, OP. 7
From Trois Préludes et Fugues, Op. 7 (1914) by Marcel Dupré (1886-1971).
TOCCATA IN B-FLAT MINOR
From 24 Pièces de fantaisie, Op. 55 (1927) by Louis Vierne (1870-1930).
